Adagio
Cuando es tarde
a la noche y las ramas
golpean contra
las ventanas,
pensarás que el
amor solo es cuestión
de salir de tu
propia Guatemala
y meterte en una
peor,
pero es algo más
complicado que eso.
Se parece más a
cambiar dos pájaros
quizás
escondidos en aquel arbusto
por ése que no
tienes en la mano.
Un hombre sabio
dijo una vez que el amor
era como obligar
a un caballo a beber,
pero entonces
dejaron de considerarlo sabio.
Seamos claros al
respecto.
El amor no es
tan simple como levantarse
del lado
equivocado de la cama con traje de emperador.
No. Se parece
más a la forma en que se siente
la pluma cuando
vence a la espada.
Es un poco como
el centavo ahorrado o los puntos que se escapan.
Me miras a
través del halo de la última vela
y dices que el
amor es un viento maligno
y sin retorno,
un camino que no lleva a buen puerto,
pero estoy aquí
para recordarte,
mientras
nuestras sombras tiemblan en las paredes,
que el amor es
un madrugador que es mejor tarde que nunca.
***
Amor
El chico en el
otro extremo del vagón
no dejaba de
mirar hacia atrás
como si tuviera
miedo o esperara a alguien
y entonces, ella
asomó por la puerta de vidrio
del vagón
delantero y él se levantó
y abrió la
puerta y la hizo pasar
y ella entró al
vagón llevando
un gran maletín
negro
con la forma
inconfundible de un violonchelo.
Parecía un ángel
con la frente alta
y los ojos
oscuros y su cabello
atado detrás del
cuello con un lazo negro.
Y por todo
aquello,
él parecía un
poco incómodo
por su felicidad
al verla,
mientras ella
estaba simplemente allí,
perfectamente
viva como un ser
con una cara
dulce que toca el violonchelo.
Y la razón por
la que escribo esto
en la parte
posterior de un sobre de manila
ahora que
salieron del tren juntos
es para
contarles que cuando ella se dio la vuelta
para poner el
grande y delicado violonchelo
arriba en el
portaequipajes,
lo vi a él
mirándola
y a lo que ella
hacía
con los ojos con
que pintan a los santos
cuando miran a
Dios
cuando él está
haciendo algo extraordinario,
algo que lo
identifica con Dios.
Billy Collins,
New York, 1941
Versión ©Silvia
Camerotto
imagen de Steven
Meisel, Sunniva Stordahl, en willyegang
Adage
When
it's late at night and branches
Are banging against the windows,
you might think that love is just a matter
Are banging against the windows,
you might think that love is just a matter
of
leaping out of the frying pan of yourself
into the fire of someone else,
but it's a little more complicated than that.
into the fire of someone else,
but it's a little more complicated than that.
It's
more like trading the two birds
who might be hiding in that bush
for the one you are not holding in your hand.
who might be hiding in that bush
for the one you are not holding in your hand.
A
wise man once said that love
was like forcing a horse to drink
but then everyone stopped thinking of him as wise.
was like forcing a horse to drink
but then everyone stopped thinking of him as wise.
Let
us be clear about something.
Love is not as simple as getting up
on the wrong side of the bed wearing the emperor's clothes.
Love is not as simple as getting up
on the wrong side of the bed wearing the emperor's clothes.
No,
it's more like the way the pen
feels after it has defeated the sword.
It's a little like the penny saved or the nine dropped
stitches.
feels after it has defeated the sword.
It's a little like the penny saved or the nine dropped
stitches.
You
look at me through the halo of the last candle
and tell me love is an ill wind
that has no turning, a road that blows no good,
and tell me love is an ill wind
that has no turning, a road that blows no good,
but
I am here to remind you,
as our shadows tremble on the walls,
that love is the early bird who is better late than never.
as our shadows tremble on the walls,
that love is the early bird who is better late than never.
***
Love
The boy at the far end of the train car
kept looking behind him
as if he were afraid or expecting someone
and
then she appeared in the glass door
of the forward car and he rose
and opened the door and let her in
of the forward car and he rose
and opened the door and let her in
and
she entered the car carrying
a large black case
in the unmistakable shape of a cello.
a large black case
in the unmistakable shape of a cello.
She
looked like an angel with a high forehead
and somber eyes and her hair
was tied up behind her neck with a black bow.
and somber eyes and her hair
was tied up behind her neck with a black bow.
And
because of all that,
he seemed a little awkward
in his happiness to see her,
he seemed a little awkward
in his happiness to see her,
whereas
she was simply there,
perfectly existing as a creature
with a soft face who played the cello.
perfectly existing as a creature
with a soft face who played the cello.
And
the reason I am writing this
on the back of a manila envelope
now that they have left the train together
on the back of a manila envelope
now that they have left the train together
is
to tell you that when she turned
to lift the large, delicate cello
onto the overhead rack,
to lift the large, delicate cello
onto the overhead rack,
I
saw him looking up at her
and what she was doing
the way the eyes of saints are painted
and what she was doing
the way the eyes of saints are painted
when
they are looking up at God
when he is doing something remarkable,
something that identifies him as God.
when he is doing something remarkable,
something that identifies him as God.
1 comentario:
Espléndidos. Me contagio de libertad
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